Used Kid’s Records

According to Used Kid’s Records, the proper way to support local music is to tell anyone who suggests how to better support said music to go fuck themselves.

Around 10 years ago, a clerk at Used Kid’s pissed me off so much on my very first visit (at their old location) that I never went back until 2 years ago. I only went back on that occasion to please my then-girlfriend.  I was impressed with the new location and was hit on by some random hot chick while smoking a cigarette outside.  So it was a good second impression.
Since then, Used Kid’s has become my go-to record store.  Not because it is better in any way than any other record store, but because it’s close to where I live and easy to get to.
So, just like many other people, I befriended Used Kid’s on Facebook.  This led to the record store inviting me (twice) to an event called, “Weekend of Mayhem.”  Weekend of Mayhem is an event with live music, record deals, and is advertised as such, “Please come out and support your local independent record store as well as your local music scene.”
I think I do a fairly decent job in supporting the local music scene.  I give free press to local bands, I stroke their egos, give creative criticism, go to their concerts, and buy their CDs and vinyl records.  So, being the supporter of local music that I am, I suggested, in an admittedly snarky way, that Used Kid’s could do just a tiny bit more for local music than what they are currently doing.
this is the result.
Yes, you read that right.  For my suggestion of moving the local music section nearer the register and out of a box on the floor, I have been called a “dickweed” by the official Used Kid’s facebook page.  Think about that for a moment, but not too long, as the story continues!
Used Kid’s, in their infinite wisdom, made two identical event pages for Weekend of Mayhem.  So I wrote the exact same thing on the second page that I wrote on the first.  This is the response and boy, it’s a doozy!
In case you can’t see it for some reason, here is a screenshot

So, an employee, who is an actual representative of the store, told me to “shove it up my ass.”
See folks, that’s a classy lady right there.  All this time, I thought I knew what it was to support local music.  But I was obviously very wrong.
According to Used Kid’s Records, the proper way to support local music is to tell anyone who suggests how to better support said music to go fuck themselves.  Obviously they are right, because several people “liked” what they have to say and even defend their position.  Well, okay, their defense isn’t really all that good, since he just called a local musician and myself “douche bags.”
I will provide no links to Used Kid’s Records as I have no interest in generating any business for them at this time.  If you want to buy records from stores not operated by dickheads, spend your money at these fine establishments:
Spoonful Records
116 E Long St
Columbus, OH 43215
Lost Weekend Records
2960 North High Street
Columbus, OH 43202-1136
Magnolia Thunderpussy
1155 North High Street
Columbus, Ohio 43201

[Edit:  I have no issue with the owners of Used Kid’s Records.  I sincerely doubt that Ron or Dan even know about any of this.  Although the girl who told me to “shove it up my ass” is apparently Dan’s daughter, I have no reason to believe that he or Ron House feel the same way.  But it does not change the fact that I will no longer shop at their store, nor will I encourage anyone else to shop there.]

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Interview: Michael Amott of Arch Enemy

[My first in-person interview. it really sucks, and the guy was kind of a dick]


Being on tour most of the year, traveling around the world playing concerts in Europe, America, and Japan; is it hard on your family and friends back home?
Um, well, we don’t have any friends [laughs]

Since Wages of Sin, metal magazines all over the worldgiven you all kinds of praise. Have you let that get to your head?
Oh yeah [laughs]. Um, you know it doesn’t really… see I don’t ever believe the good reviews. If you believe the good ones then you have to believe the bad ones. I definitely don’t believe the bad ones [laughs]. You know, I know more about metal than anybody I know, and any of these so-called music journalists. I know where it is coming from; I know its roots. I’ve dedicated my life to it. That’s more than a lot of these people have done. I’m pretty comfortable with what we’re doing, you know.

Do you remember your first headlining show?
Our first show was a headlining show. It was a show in Sweden.

What do you think of the response to the release of the DVD?
Oh, it’s been phenomenal. It’s been great. Which is well deserved I think, cause I’m pretty happy with it. The fan reaction is amazing, you know. It has been very, very strong. You know we made it for the fans, so it’s very… gratifying.

You’ve been all over the world. Where have you found the most responsive fans?
Well, you know fans… metal fans are kind of the same the world over. The love for this music is universal so… people react with little variation, but I’d say it’s pretty much… metal fans are metal fans.

There is a lot of elitism with metal fans…
Well they are passionate about their music. They have strong opinions.

Who are your biggest musical influences?
Well, you know a lot of older metal I grew up on. Especially bands like Metallica, Megadeth, Slayer. I guess those are the big three. Especially when I started playing guitar. Even older metal bands now, Saxon, Judas Priest, Merciful Fate.

What made you pick up a guitar?
I just wanted to be in a band really. I guess I was the kid, the typical kid in the back of the classroom, drawing imaginary logos. Logos of my imaginary bands. I was planning my first band even before I could play. It just seemed like a good thing to be into. It just seemed exciting and uh, I ended up living the dream [laughs]. I’m still drawing logos.