Sexiness, Spruce Campbells, and other stuff

Sometime in the near future, Quarantine will interview Jason of The Spruce Campbells. It should have happened earlier this month, but my old tape recorder went to the Big Analog Tape Depository in the Sky.

Speaking of The Spruce Campbells, their next EP should be coming out soon and I have been informed that it is very, “sexy.” Sexy is always good.

Ino other news, Lackluster is having a CD release show at Ravari Room on April 15 with Lost Revival, The Spruce Campbells, and a mystery guest. Wouldn’t it be cool if Hotsauce had a reunion?

Quarantine is also looking for a new reviewer. We have a back log of albums that need to be written up. You won’t get paid, but you’ll get a by-line, free music, and maybe make some new connections.

We always take submissions of any music; from a single song, to a rock opera. So if you are in a band, send us your stuff and we’ll give it a fair review. Submissions always take precedence over anything else (anything else meaning stuff I pick up at the record shop, which is currently what the back-log consists of)

Lastly, Quarantine is one of the very few music blogs in Columbus. Less pretentious than half of a hipster, but still cooler than your mom.

Lackluster at Skully’s

This review is like a month late. Sorry Jon. Lost my notebook and had a lot of other things going on. shit happens.

anyway, Lackluster performed at Skully’s. Before them was Black Eyed Betty, and before them was Monolithic Cloud Parade. After Lackluster was another band but i had to leave before they came on.

We’ll start from the openers.

Monolithic Cloud Parade are interesting. Visually, they’re a few white guys of the Trendy-Beard-and-Vintage-Clothing-type and one black dude who plays trumpet and keyboard. I liked the trumpet, although at times it seemed like they just threw a trumpet in a song in a “what the hell, why not?” kinda way. In short, i wouldn’t mind seeing them again.

Black Eyed Betty. Oh man, here goes. I overheard several women in the audience say that they LOVED the singers shoes. That’s about it. For a more or less bubblegum punk band, they were decent. But this was not a show that they should have been booked at. Completely wrong for the type of crowd, completely wrong for the other bands on the bill, and completely wrong on playing a ridiculously long set of songs that all blended together into a 45 minute mayonnaise-y on white bread punk set.

i would think about seeing them again if it was at a punk show and if their set was shorter by at least 15 minutes. The singer was cute though. very bouncy and smiley. and fishnetty. actually, forget the band, i just want to see her.

Lackluster was really good. One of their best performances to date. Whereas the dance floor was completely empty for the first two bands, people from the front of the bar and from outside filed into the main room after the first couple songs. that’s a pretty good sign that you have a good sound. In fact, out of all the bands from my hometown of Reynoldsburg, Lackluster has the best chance of actually accomplishing something. The song that stands out the most is the brilliant cover of Eddie Murphy’s Party All the Time. when i first heard that they were going to cover this, i thought it was a terrible, horrible, incredibly stupid thing to do. However, i was wrong. It was great! There were trendy scenester kids dancing everywhere! seriously. i haven’t seen a crowd reaction like that for a local band in a long time.

i’ve said my piece. i’m out.

Lackluster

Official: Lacklusterband.com
Myspace: Lackluster
Garageband: Lackluster

Jon Hayes, the singer, guitarist, main songwriter of Lackluster describes his band as being “essentially a one man project stemming from the remains of Bender, a local central Ohio band,” but I have to respectfully disagree. Bender, as I knew the group, was musically limited to a grunge/post-grunge, almost Nirvana wanna-be style that, quite honestly, wasn’t that interesting to listen too.

Fast-forward ten years and Jon has created something fresh, something new, something that is willing to take risks, and more often than not, succeeds in what it’s trying to do.

Like a lot of bands, Lackluster’s recorded music doesn’t match the brilliance of their live show. So if you don’t dig the music on the official site or the Myspace site, then you should definitely check them out live. It’s definitely worth your while. Besides, the shows are usually either free or no more than 5 bucks ya stingy bastards!

Jim Weisbarth of Verner Caliper and the unfortunately-defunct foid plays bass and Mike Shiller is on drums.

Jon managed to spare some time to answer some questions:

How many concerts a month do you play? how many would you like to play?

JH: Right now, we’re playing maybe two or three times a month on average. As far as how many I’d like to be playing? Somewhere between 27 and 31, depending on the month, would be nice.

do you still use drum samples now that you have a dedicated drummer?

JH: Right now, no we don’t. We do use a sampler of sorts for instrumentation we haven’t acquired in the human sense, but not really so much for additional drum layers. We do have another song that doe shave additional percussive elements to it, but we haven’t started working on it as a group just yet.

what was your favorite cartoon show growing up?

JH: Growing up… that’s a tough one. Snorks. All childhood cartoons have become a blur to me, so it’s not like the Snorks have a special place in my heart for any particular reason; other than, when i mention it to people, more often than not, I get a look of bewilderment staring back at me. Like the Snorks are the product of my own imagination. I question that sometimes. Have you ever heard of Snorks?

Why do you complete so many Myspace surveys?

JH: Ha, it used to be out of boredom, when I had a regular, lame-ass job. Now that I no longer have that job, it’s far less frequent.

Have you seen Lackluster’s fan support grow from people you know personally, to people you don’t know at all?

JH: It’s changing to an extent. It’s weird because I imagine however popular one might become, they are always kind of relying on the support of others. Perhaps even more than their own abilities. We’re just as dependent. Though, I’d like for it to be a symbiotic relationship. I’d rather someone come to see ebcause they get something out of it than just because we know each other. But we’ll takes what we can gets, and be thankful for it. But, yeah, it’s growing slowly. The tough part isn’t getting people to come up to you after a show and pay you compliments, or money for a CD. It’s getting them to come back. But, it’s growing. Occasionally someone I’ve never met will say they saw us somewhere, then kick me in the balls and tell us we suck. It’s kind of an honor really.

How was life in the Air Force? Did your service influence your musical taste?

JH: I can adapt to things pretty well, and I don’t have any notions that anything but my own stink revolves around me. The military, to varying in degrees, is mostly just made up of people who feel the same way. It fostered integrity, which I feel translates into different aspects of music… but I still hate Creed.

How has your music grown since you first started playing?

JH: It’s weird, because sometimes it doesn’t seem like it has at all, and sometimes it does. If I were to sit down and play something current in front of myself, from fifteen years ago, I think there would be a difference. But, I actually put some effort into lyrics now. That’s definitely changed.

Do you find it difficult to write songs, or does inspiration just come to you?

JH: I find it extremely difficult BECAUSE it just comes to you.

When did you first start playing music, and what made you start?

JH: I think I was 13 or 14, and I’d skip school to hang out with this kid. He had a guitar, and we’d pretty much just play it all day, wherever we could that would piss off as many people as possible. He told me my fingers were too fat, and I thought he was wrong. So, I played.