Concert Review: Hatebreed, Black Dahlia Murder, Napalm Death, and Exodus

Monsters of Mayhem Tour
Columbus, OH, Newport Music Hall, September 21, 2006


The crowd was mostly younger, as in late teens and early 20’s. For many, it seemed as if this were their first concert. The mob was also small, around 500, and didn’t seem to want to move. However, this changed as the night moved on.

The mighty metal warrior’s known as Exodus opened the show. Even though they were blasting explosive guitar riffs and tearing it up on stage, the younger crowd refused to mosh, dance, or perform any kind of mobility exercise in the pit. New singer Rob Dukes tried his best to get the crowd riled up, but to no avail. A few fans tried to start a mosh pit, and Rob pointed them out to everyone else as being truly hardcore. Older fans throughout the Newport could be seen playing air guitar for the entire set. the band was impressive and tight, but the combination of the younger crowd (who had probably never listened to Exodus) and being the first band of a rather impressive line-up didn’t help them.

The band that coined the term “Grindcore” to describe their music came on second. Napalm Death roared through their set like their namesake roared through Southeast Asian jungles. They played the title track off their first record, “Scum,” a Dead Kennedy’s cover of “Nazi Punks Fuck Off,” and a few songs off their newest album, “Smear Campaign.” In between songs, Barney Greenway talked to the crowd in his very polite, very British accent. It was a sharp contrast to his singing voice, which sounds like an angry, hungry, dying tiger about to devour its last meal. The pit got moving for Napalm Death, with arms and legs flying everywhere. A fight even broke out that spilled out onto the floor. Napalm Death delivered an intense show as promised and surely sold a lot of CD’s and T-shirts at the merch booth that night.

The Black Dahlia Murder blazed through their set with few breaks. TBDM played what was hands down the most vicious, hardcore set of the night. “This next song is about fucking people up. You know what to do.” And the animals in the pit did know what to do. They tore each other apart. TBDM’s singer, Trevor Strnad, looks like a bigger, meaner, WAY tougher older brother of Rivers Cuomo from Weezer. Chuck Taylor All Stars and geeky glasses aside, Black Dahlia kicked ass. Their set was no nonsense, no prattling to the crowd about war and religion, just straight up metal. They were the first band of the night to get a circle pit going that consisted of more than a dozen people.

Hatebreed, obviously the most popular band present being the headliner, put on a fast paced, smash mouth show. A look at the crowd showed who came to see Hatebreed. As one Napalm Death and Exodus fan said to me, “there’re a lot of Emo kids here.” The band put on a great hardcore show, they almost always do, but their fan base has taken a radical turn. This is attributable to Jamey Jasta’s insistence on making every single song an anthem of some sort. Hatebreed shouldn’t be blamed for this though, as almost every single hardcore band does this now. But it does get tiring hearing, “This next song is about being your own person!” “This song is about not letting people tell you what to do!” “This next song is about getting the respect that you deserve!” “This song is about being the best you can be!” You get the point. The Hardcore scene is turning into an After School Special. Hatebreed played a good show, the band was tight and energetic and gave the crowd their all. The crowd, for their part, was wild. The entire floor was thrashing and moshing.

All around a great show by every band involved. The crowd (which at shows like these are almost as important as the band) left much to be desired, but walked away knowing they got their money’s worth.
– Tim Razler

Interview: Matt Byrne of Hatebreed

Note: this interview was conducted on behalf of the now defunct MusicOhio.com. It took place over the phone before Ozzfest. Which Ozzfest is a fuzzy memory. Somewhere in the 2003-2007 range.

So, how has Ozzfest been?
Ozzfest was great, it’s our 4th time doing it; first time on main stage. So we’ve stepped up our stage show a little bit. We’re playing to the seats and everything but everyone’s really receptive to our music. It wasn’t really an obstacle for us; it was a really good time.

Did you feel any disconnect with the audience going from playing smaller venues to amphitheaters?
No, not really. I mean, like I said it’s our 4th time doing it so we’re kinda used to it. We’ve played the second stage, which is obviously smaller, but you’re still playing to a huge crowd and there is barricades and things like that so it isn’t anything really new to us. It’s more just jumping from a smaller stage to a larger stage, which allows us to step up our production. You know we had some risers on the stage, a bigger backdrop, um a bigger back line all together; we just increased our stage show all around.

Who was your favorite band on the tour? Or ever?
My favorite band ever is Slayer. Definitely. We’ve toured with them a bunch so that was a treat for me you know getting to see Lombardo every night just hearing those songs. On this tour I mean there was a lot of them. A lot of the second stage bands are bands we’ve played with in the past or are friends with that we’ve come up in the scene with so you know we’re no strangers to them. Then you got guys like Disturbed and System of a Down who are huge bands but are actually really, really cool down to earth guys and it’s fun hanging with them and fun watching them jam every night. Both bands put on a hell of a show.

You mentioned the “scene.” What do you think of some of the people in the scene that say Hatebreed sold out because of your success?
Yeah well, people… we’ve catched a little bit of flak since 2002 when we did our first album for Universal Records everyone thought “oh ok, they’ve gone to a major label. They’re going to change their music and try to sell a million records and change their image and everything. Obviously that didn’t happen you know. From a business standpoint we’re out there doing the same things we do all the frikkin time we’ve been doing for 11 years you know. We play all the same clubs we did back in the day just being on a major label is opportunity. You have a bigger budget behind you and it allows you to get your music out to more people because they have that mass production where you ah, you record an album and it is in every store in every city. Whereas in a lot of indie labels don’t have a budget like that for distribution and a lot of people who are starving for your music can’t get it cause the label can’t get it to them. So you know being on the label at Universal I think was a big push for us. It let us take our music and our message and our formula that has always been Hatebreed and through a bigger medium we were exposed to more people.

So why the switch to Roadrunner?
Well we did two albums for Universal and right after we recorded the second album our team, our staff at Universal that was handling us at the label, well you know Universal cleaned house and everyone got fired. So we kinda got lost in the shuffle you know and anything we got on the album we got on our own, we got off of touring and any buzz we generated on that album we got on our own.

And you guys tour incessantly…
Oh yeah, yeah we do. Its not uncommon for us to do 300 shows in a year, you know we hit the road and we go. So Universal, we just kind of got lost in the shuffle. Roadrunner expressed some interest. And obviously we’re a metal band and them being a metal label so they understand us a little more and can handle us a little better. Whereas Universal is such a huge label not really a metal oriented, you know they got Nelly and Elton john and things like that, I mean Hatebreed doesn’t really take priority to a label like Universal. Whereas Roadrunner, look at the stuff they put out, they’re like the metal church as it goes. So yeah, it just made sense. They expressed some interest and we were definitely interested in going over to them and after the all the red tape well here we are.

Do you remember your first show you played with Hatebreed?
Yeah

What was it like? Where was it?
It was at Toad’s Place in Newhaven back in ’98, yeah ’98 I think. We were opening up for Gwar and the Misfits. I practiced with the band, actually I just tried out, played a couple songs and that was it, they were like “yeah you’re in the band we got a show next weekend.” Bam. Never practiced in between. Kinda got up there, no set list or anything, Jamey just yelled out the songs and we played them, did a half hour set. Got off the stage and it felt like we’d been a band forever you know? It was pretty wild.

Who is your biggest musical influence? You already said Slayer is your favorite band.
Oh yeah, they’re definitely a big influence, you know playing the drums, Dave Lombardo’s my favorite drummer. I think I’m most influenced by metal. I was exposed to metal first, you know, before hardcore. Hardcore came later for me. So metal bands; Slayer, Exodus, Megadeth. Anything that came out of the Bay Area scene in the early ‘80’s, mid-80’s. That stuff is the biggest influence. Testament, Sepultura. Well, they’re from Brazil but they’re from the same era.

What are your expectations for the Monsters of Mayhem Tour?
I think it’s going to be great man. Like I said I’m a big Exodus fan, so to be able to tour with them is just like a fans dream come true, you know. And then Napalm Death, we’ve done some stuff with them overseas but never in the States so to get to tour with those guys again you know in our homeland I guess. I love watching them every night man, they just rip it up. And then the other bands, we’ve done some stuff with them here and there, so we’ve crossed paths, so I’m looking forward to getting on a full-scale tour with them.

August 29th is when Supremacy comes out. What can your fans expect from that? Will it be more brutal and hardcore than your previous albums?
I think Supremacy encompasses what we did both on Perseverance and Rise of Brutality. It has elements from both albums. It’s a faster album; we’ve stepped up our playing a little bit. I don’t want to say we’ve matured, cause I hate that word. But we’ve progressed as musicians and tried a couple things that we hadn’t tried musically on our past records. Production wise I’d say the production value is that of Rise of Brutality with, everything is up front and in your face.