Jeremy Ebert of Yellow Paper Planes was kind enough to send me a copy of YPPs EP, Feathers Touch. To go with it, he sent me some notes from the band’s singer Joshua James, giving some context to what the songs are about. I don’t recall anyone ever providing info like that before, and it’s a nice treat. Thanks, dudes. What’s also kind of neat is that this is a throwback to my old “4 song reviews” from way back in the day! Good times.
Knock Once – Guitar reminds me of Beach House a little, but maybe because I was listening to Beach House earlier in the week. MARACA!!! Knock Once is somber and plodding, not in a negative way though. It’s like trying to wade through the complicated muck of the past, still hoping there is something worth finding there. The music has a great layering to it, building a neatly complex melody. Everything picks up during a great crescendo to end the song. It’s surprising how rare it is to hear a song end with a crescendo, and it’s refreshing here.
Double Life -This is one of those songs that reminds you of other songs you’ve heard in the past. It reminds me of so many songs, and sounds so familiar, that I can’t think of anything specific that it reminds me of. It’s a good song, with great pacing and change ups throughout. I can picture this being a single.
Good Lovers – Another song that could be a single. It reminds me of the band, Hum, only not terrible and not completely boring. I guess that would make it the opposite of Hum, but it is stylistically similar. The instruments and vocals compliment each other well in this one. I don’t know why, but emotionally, this song makes me a little sad. At 1:25 there is something weird that happens to the singer. I think it is a fault in the copy I’m listening to, or he chose to warble at that particular moment and nowhere else in the song.
Ghost – Man, I love fuzzy guitars. This song is a little heavier with a steady beat with killer fuzz and feedback. Harkens back to the glory days of the 90s. Is it okay for me to pick a favorite? Cause this is it. I really dig this one. It’s not like Melvins heavy or anything, but maybe a little bit Screaming Trees? I dunno. Whatever it is, it’s great. As I was writing this originally, I realized that the end of Ghost is actually the next track, Annex. I’m just going to go with them being the same song in my head, ’cause it’s too good of an ending.
If you are interested, here are the notes they sent me. I think it is nice to have an insight into the creative process behind a piece of art. Plus, no one told me I couldn’t publish it. So there ya go.